Difference between revisions of "Naifu-kinniku"

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*The same-side hand follows an inside-to-outside circular path, like [https://www.youtube.com/watch?v=SMCsXl9SGgY waxing a car], and ends with your same-side [[Shutō|shutō]] contacting the opponent.  
 
*The same-side hand follows an inside-to-outside circular path, like [https://www.youtube.com/watch?v=SMCsXl9SGgY waxing a car], and ends with your same-side [[Shutō|shutō]] contacting the opponent.  
  
[video of a naifu-kinniku, fast and slow, from the front and side]
+
[video of a naifu-kinniku, fast and slow, from the front and side]
  
 
Timing is critical to avoid crossing your arms. Crossing your arms always creates a vulnerability, because a fast and observant opponent can push on your lead arm to pin both of your arms to your chest, leaving you momentarily helpless.
 
Timing is critical to avoid crossing your arms. Crossing your arms always creates a vulnerability, because a fast and observant opponent can push on your lead arm to pin both of your arms to your chest, leaving you momentarily helpless.

Revision as of 06:57, 9 March 2020

Naifu-kinniku (literally: “knife-and-muscles”) is a variant of the outside shutō block, which is apparently unique to Goshin-Jutsu. Whereas outside shutō blocks are linear, two-beat motions (i.e, ♫, “1-2”), naifu-kinniku is a circular, one-beat motion (i.e., ♪, “1”), which makes them intrinsically faster. This is because a naifu-kinniku consists of two simultaneous motions:

  • The opposite-side hand swats the opponent’s technique aside with a pressing block variant which follows an outside-to-inside circular path, as though you were sanding a floor. Since this “pre-block” is more of a slap or swat, it does not require the pressing block’s hip counter-rotation.
  • The same-side hand follows an inside-to-outside circular path, like waxing a car, and ends with your same-side shutō contacting the opponent.
[video of a naifu-kinniku, fast and slow, from the front and side]

Timing is critical to avoid crossing your arms. Crossing your arms always creates a vulnerability, because a fast and observant opponent can push on your lead arm to pin both of your arms to your chest, leaving you momentarily helpless.